Mozart entered the Fantasia in C minor, K. 475 into his "List of All My Works" on May 20, 1785. Belmont, CA: Schirmer Cengage Learning, 1996. For example, the first time we see the B theme, it is in the relative major: Example 5 Wolfgang Amadeus Mozart: Sonata, K. 457, 3rd movt. Mozart was born in Salzburg, Austria on January 27, 1756 to Leopold and Anna Maria Mozart. 3 In B Minor, Op. m. 168-171. Comparisons have been made between this sonata’s opening movement to that of Sonata in F Minor, Op. Allegro" and more. I - VI, Stossmechanik, Hand Stops" and more. It is slow moving, lasting almost twelve minutes, and free, with some thematic development (Gordon 135). Cambridge: Cambridge University Press, 1997. An original autograph of the two pieces was rediscovered in 1990 at the Eastern Baptist Theological Seminary in Philadelphia by Judith DiBona, an amateur pianist and accounting manager at Eastern's sister school. The coda ends with a perfect cadence. Web. The most unstable section harmonically, this goes through the keys of C major, F minor, G minor, and returning to the original part in C minor. This motif is shown twice exactly the same, the first is shown, modulating into G minor, then C minor, where the same cut-in-half principal subject is heard. Web. Oxford University Press. He died in Vienna on December 5, 1791 due to unknown causes. Print. The Fantasy by nature has a more improvisational quality than the subsequent sonata, and the pairing presents a classical correlation to the baroque combination of fantasy and fugue. This subject is ended by a prolonged cadential repetition. Eugene K. Wolf at the University of Pennsylvania was contacted to identify and authenticate the manuscripts.  The styles of both Muzio Clementi and C. P. E. Bach have been suggested to have influenced the composition of the fantasy, whether consciously or subconsciously. Stream songs including "Fantasia in C minor, K. 475: I. Adagio", "Fantasia in C minor, K. 475: II. The same melody is repeated, followed by a sequential passage going through A♭ minor, B♭ minor, and C minor, ending on a half-cadence. Nathan Milstein : Beethoven Sonata No. 14 in C Minor, K. 457 follows this standard practice as the first movement is in single movement form, the second movement is a drawn out ABA, and the last movement resembles a rondo. The second and slow movement is typically an ABA-like form, with menuet and trio being a popular option as sonatas developed out of dance forms. 14 In C Minor, K. 457 & Fantasia In C Minor, K. 396 - Chopin: Piano Sonata No. Ed. Mozart: Piano Sonata K.331, Rondo K.511, Fantasie K.397, Variations K.455. Alison Latham. This idea of multiple themes and modulations was first explored by Domenico Scarlatti (1685-1757), an early Classical composer, in his 555 sonatas. In the same year, the piece was published in Vienna together with the Piano Sonata in C minor under the collective designation "Op. 8 in A minor, K. 310, which was written six years earlier, around the time of the death of Mozart's mother. “Mozart.” Grove Music Online. Mozart's Fantasy or Fantasia in D minor is somewhat unusual in several respects. This form, although not theoretically labeled until the mid-nineteenth century, “is a three-section design consisting of exposition, development, and recapitulation of two principal themes, labeled respectively the first and second subjects” (Irving 99). Scarlatti’s opera overtures, formatted into fast-slow-fast sections, were “expanded into a pattern on which the sequence of movements in the sonata were based” (Gordon 75). Listen to Mozart: Piano Sonata in C Major, Fantasia in C Minor and Piano Sonata in A Minor by Clara Haskil, Carl Seemann & Walter Gieseking on Apple Music. The bridge to the next section is modulated from E♭ major to C minor. The development is short, with thematic development from both theme groups. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. 14 in C Minor, K. 457 - II. Mozart’s Fantasie in D minor, K. 397 is a surprisingly difficult work to pull off: the piece was left incomplete by Mozart and an ending was tacked on (and sounds tacked on), by August Eberhard Müller. David Oistrakh & Pierre Fournier : Brahms Double Concerto - SXLP NM / NM. Mozart: Fantasia in C minor, K.475 - Adagio - Allegro - Andantino - Più allegro -Tempo I ... Mozart: Piano Sonata No. It was these trips during Mozart’s early years that exposed him to various styles of music, “[developing him] into an international composer” (Gordon 123). Adagio 7:28 4 Mozart: Piano Sonata No. 9 Sept 2015. Conflicts with his father also produced tension as Mozart wanted to move on to other places of employment, but Leopold wanted him to stay in Salzburg with a reputable position. A typical performance lasts eighteen minutes. The coda is founded on the second subject, starting in bar 262, with the right hand leading the melody along with the left hand accompanying with broken chords. Download Mozart: Fantasia in C Minor, K.396 - Piano Sonatas, K.281, K.282, K.576 by Alfred Brendel in high-resolution audio at ProStudioMasters.com - Available in 96 kHz / 24-bit AIFF, FLAC high resolution… Out of his seventeen sonatas for solo piano, his Piano Sonata No. The subject, which is unusually long, consists of two parts, both ending with perfect cadences. The Fantasia in C minor, K. 475, was completed some seven months after the C minor sonata. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. His ability to compose great music quickly and efficiently allowed him to produce a large amount of repertoire in every genre. The subject, however, sub-divides itself into regular one-bar sections, which is very unusual. This movement contains a great tragic sense that really makes it stand out. Single movement sonata from is statistically the most likely for the first movement, although theme and variations is also popular. At this moment, we hear the original principal subject cut short into half. 11 in A Major, K. 331: II. However, after repeating the first theme group, Mozart introduces new melodic material in D-flat Major, the supertonic major, instead of presenting theme 2a in the tonic (Gordon 135). The first movement, “Allegro,” is a standard single movement sonata form. However, he is considered one of the greatest musical geniuses to ever walk this earth. A History of Keyboard Literature: Music for the Piano and Its Forerunners. Allegro assai 4:35 5 Mozart: Fantasia … awarded first place for best humanities paper. When published by Artaria, the set was dedicated to Therese von Trattner, a student of Mozart. 14 (Mozart).” Wikipedia. Fantasia in C minor, K. 475 is a piece of music for solo piano composed by Wolfgang Amadeus Mozart in Vienna on 20 May 1785. SASTRUPHON SM-7046. ", John Gillespie, Professor of Music at the University of California, describes the Piano Sonata No. Vlasenko piano. Comparisons have been made between this melodic figure and the one found in the second movement of Sonata in C minor, Op. Oxford University Press. He theorizes that the second movement was composed the earliest as an instructional piece for Therese von Trattner. The Piano Sonata No. Gordon, Stewart. Example 1 Wolfgang Amadeus Mozart: Sonata, K. 457, 1st movt. Mozart dedicated Piano Sonata K. 457 and Fantasia K. 475 to Theresa, and also sent her two letters in which he explained how these works should be interpreted. Mozart’s Piano Sonata No. The B section introduces a new melody that is repeated in multiple keys. Mozart’s early piano sonatas, composed 1774-1775, are likely touring pieces the composer used for concerts he gave in Munich, Augsburg, and Paris. Allegro Mitsuko Uchida. 17 Nov. 2015. Example 3 Wolfgang Amadeus Mozart: Sonata, K. 457, 2nd movt. 14 as a uniquely "somber and passionate" work of Mozart's, and states that "no other music composed before Beethoven contains so many Beethovenian elements," namely the "contrast of themes and the sense of ceaseless struggle.". It was this multi-sectional structure that lead composers to label their compositions as sonatas (Gordon 74). Although we do see one measure built on the dominant seventh chord, there is more material built upon the seven fully diminished seventh chord right before the recapitulation. Mozart: Piano Sonata No.17 in B flat, K.570 - 1. Mozart’s Piano Sonatas: Contexts, Sources, Style. View credits, reviews, tracks and shop for the 2006 CD release of Piano Sonatas & Fantasias on Discogs. Example 2 Wolfgang Amadeus Mozart: Sonata, K. 457, 1st movt. 13 “Pathetique” by Beethoven, as they both start with the same notes: C, B-flat, and E-flat (Gordon 135-136). There is chromatic and cadenza like material before the return of the A section, which not only develops the first theme, but includes the second theme in the tonic key of E-flat Major: Example 4 Wolfgang Amadeus Mozart: Sonata, K. 457, 2nd movt. Although they were published together as the same opus, Mozart sometimes performed the pieces separately. Wolfgang Amadeus Mozart, Mitsuko Uchida - Mozart: 2 Sonatas KV 331 & 332; Fantasia KV 397 - Amazon.com Music Irving, John. This section uses material from the first and second subjects to form the development. Stream songs including "Piano Sonata in C Major, K. 330: I. Allegro moderato", "Piano Sonata in C Major, K. 330: II. 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